Friday, November 5, 2010

Unaccustomed Earth by Jhumpa Lahiri




Jhumpa Lahiri has returned with another emotionally jolting masterpiece Unaccustomed Earth after her Pulitzer Prize winner Interpreter of Maladies. Unaccustomed Earth is a brilliant collection of short stories and one aspect of Jhumpa Lahiri’s talent lies in the fact that she can get you to intimately connect to the characters even in a short story. Jhumpa Lahiri uses commonplace language and style to create a emotionally chilling effect. Personally I felt an individual and markedly depressing character in each of her stories.

Unaccustomed Earth is a case study of human nature specifically focussing on her characteristic Bengalis-living-abroad setting. Unaccustomed Earth has close correspondence with Jhumpa Lahiri’s life if only in the little things. The stories deal with issues which the second generation of emigrating Bengalis face abroad. Jhumpa Lahiri herself was caught in the same situation, born in London to emigrating parents and then moving to Long Island at the age of three. Her stories deal with the stigma she faced, torn between being brought up in western culture and her mother’s constant nudging to stay in touch with Bengali culture. Also, this review would be incomplete without the mention of a recurring sub-theme in Jhumpa Lahiri’s stories which is that of marriage and relationship of an Indian with a foreigner and how their parents or elders react to the situation. It was present in most of her stories in Interpreter of Maladies, in The Namesake, and also in Unaccustomed Earth.

My personal favourite would be the trio of stories Hema and Kaushik. It is written in second person, distinguishing it from her other stories. Hema and Kaushik is a collection of three short stories linking the fate of two Bengalis, whose family’s only connection is by the virtue of their coexistence in a strange land. The second person narrative creates a completely different atmosphere and one can relate intimately to the characters and their tragedies.

Nobody’s Business is another brilliant work exploring a complex love triangle.Paul, a shy literature graduate has a repressed infatuation with his roommate, Sang who is already involved in a relationship with an eccentric Farouk. Meanwhile another vertex is added to this triangle as Paul find out that Farouk, Sang’s boyfriend is also involved with another girl, Dierdre. I think that this story was all about how Paul handles the power he now holds over the couple. Should he tell Sang, leading to Sang and Farouk’s break-up and him having a chance with Sang but leading to her heart-break or keep it to himself. At these crossroads, Paul (owing to Jhumpa Lahiri’s creativity), does neither. But the rest is best explained by reading the story itself so I’m just going to stop here.

I found Unaccustomed Earth, the short story, interesting because it looks at several things from a viewpoint which was completely new to me. After her mother’s death, Ruma thinks that she will have to look after her father and her own nuclear family would suffer from the added responsibility on her. This, I believe is a direct consequence of her maternal instinct. Ruma cannot jeopardize her child and family’s future to take care of her father. On some level, she blames her father for issues like opposing her marriage to a non-Indian, not even being in touch with her for the last 38 years etc. But the real surprise comes when at the end of her father’s short visit, she discovers that all the while He was taking care of her family and now she wants him to stay. Another thing which caught me off guard was the concept of one getting into a relationship just because one had “gotten used to the companionship”. This is the reason given by Ruma’s father for what he felt for Mrs. Bagchi, a lady he had met on his tours of Europe.

Hell-Heaven, the second short story of the book, is about a housewife’s one sided love with a younger family friend. Aparna, the narrator’s mother had had an arranged marriage to Shyamal, the narrator’s father. Soon afterward’s Shyamal had left India to complete his studies and finally landed in Massachusetts as a Researcher. Aparna and the narrator’s meeting with Pranab Chakraborty a lonely Indian student also living in Massachusetts results in his becoming a close friend of the family. During his regular visits to the narrators house, Pranab began to look upon Aparna and Shyamal as his mentors but Aparna developed an infatuation with Pranab. Hell-Heaven is a well-narrated story of how Aparna reacts to heart-break after nurturing hopes which she new would be broken.

A Choice of Accommodations is the story of a couple’s rekindled love after a strained night attending Amit’s High School crush’s wedding. Amit and Megan are a Married couple with two daughters. This is a story in which years of pent up jealousy and insecurity leading through a day of misunderstanding lead in a moment of truth to a passion unexplored in the most intense of relationships.

In Only Goodness, a sister frees herself from years of guilt and repentance in a moment when she realizes that her fledgling family had been at stake for what she considered her fault as a sister. She had been the one who had introduced her brother to alcohol and after he became an alcoholic, started blaming herself for it.Years later, she didn’t even telling her husband because she thought he would hold her responsible for it. It is an emotionally charged tale: parents broken-hearted on seeing their brilliant son losing his grip on a meaningful life, a guilt-ridden sister and her new family still in infancy and at its core : a boy destined for greatness falling into a self-destructive pattern and affecting everyone around him as he falls.

All in all, Unaccustomed Earth is a great book exploring human nature at its best and its worst. Certainly not a recreational pass time but a serious book to be pondered on and thought over. Indeed one can feel the weight of the emotions dripping through the pages as the stories weave on through dark alleys and great planes of human nature.


Nilanjana Sudeshna Lahiri a.k.a. Jhumpa Lahiri

7 comments:

  1. Every time I sat down to read one of the stories, I always felt, as the story progressed, that a certain silence was enveloping me. I am not exaggerating. Perhaps it was just a coincidence that I was sitting in a particularly silent room. But I have no better way of describing the kind of emotional upheaval I felt after reading most of her stories. You feel like you have something stuck in your throat. Emotional dreariness aside, I think the stories beautifully portray the trials and tribulations associated with emigration. The ‘incoming’ (or the first) generation tries to cope with the new lifestyle, and the extreme loneliness which they experience. The second (younger) generation also faces struggles, but of a different kind. They are trapped between two different cultures. They have to constantly adjust to living ‘two lives’; one at their homes and among relations, and the other in the outside world, among school friends etc. Jhumpa Lahiri expertly describes the kinds of doubts and confusion which reign in the heads of this younger generation. As you mentioned in your review, perhaps it is because she herself has grown up in a similar setting. I would like to add to certain things you have mentioned about the stories. Some of the stories have this characteristic of revealing something completely unexpected towards the end of the story. This was the case in at least two of her stories ‘Hell-Heaven’ and ‘Once in a Lifetime’. This aspect might seem like something which is characteristic of pulp fiction. But I think these ‘twists’ in the end are neither meant to entertain nor create a feeling of suspense. These last moment revelations are utterly depressing, imitative of real life.
    For example: the fact that Aparna had tried to burn herself alive; that the real reason why his parents moved back to the US was because Kaushik’s mother had breast cancer.

    You have mentioned in your review that the language used is very simple, and yet has a profound effect on the reader. Adding to that, I’d like to point out one aspect about the narrative style. There is a marked monotony in the narration. In most part of the stories, the narrator follows a style of ‘this happened…and then this happened…and after that this happened…’. The narrator seems to be detached from the feelings of the characters. This is surprising as the most of the time the narrator is telling her/his own life story. Just an observation; don’t know how relevant this is.

    All in all I did enjoy reading your review; let’s leave the rest to ma’am eh? :)

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  2. One aspect I forgot to mention previously...
    You mentioned that 'Once in a Lifetime' is written in the second person. The narrator is basically talking to the reader.The reader is addressed as 'you'. Thus the reader becomes a character in the book (Kaushik). Frankly, it was difficult to comprehend the flow of the story in the beginning (because of being addressed as 'you' all the time. But as the story progressed, things became easier. I was browsing the internet on 'second person narratives', and it seems that this technique is more prevalent in Modernist and Post-modernist works.

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  3. Yes, I agree that the revelations in the end of some of the stories though shocking from a what-happened-next or story point of view may be significant, they were also used as a tool to drive home the overbearing emotional effect the stories have on you. So, I for one wouldnt classify them as a pulp-fiction tool but use of a similar technique which makes the narrative even stronger.

    Also, I too felt a sense of disorientation initially when reading the second person narrative but after I got used to it, I found that being addressed as 'you' continually had a much stronger effect of the charactes feelings than one has reading a novel from a third persons viewpoint. The assosiation one feels with the characters in a third person narrative hardly compares to that of a second person naraative.

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  4. From where you have copied the photo? Posting photo without owner's permission is not 'legal'.

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  5. please give credit to photographer of this image or at least create a link to the original photo rather than putting the static one.
    http://www.flickr.com/photos/black_coffee_blue_jeans/2489112942/

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